A few months ago a pair of Golds came up for sale - the instant I saw them I was onto them but was pipped to the post by Mozza by 5 minutes! - No hard feelings really
Well, Mozza generously offered to lend me the Golds to try them. Time came in the way and he went on to build his own GRF cabs out of birch ply http://www.pinkfishmedia.net/forum/showthread.php?t=82513&highlight=tannoy
Nice job!
Curious about Golds and HPDs we agreed to have a get together to test them out at my place using my trustly Rect replica GRF's made out of 21 and 24mm birch ply.
Mozza, I_should_coco (one time Golds owner now off in bassless horn land
) and a couple of Tannoy interested folk, Jim, and Graham came along too.
Graham brought cake!
Firstly we listened to some great tracks on the HPDs: jazz classics like Louis Amrstrong's and Duke Ellington's Together, Piano Stan Kenton I think it was, Al Haig / Jamil Nagger combo, Yello, Tori Amos and more...
We even put Shine on you crazy diamond requested by Graham
Comments like good bass, handles the full range of piano well, scale and presence and how easy they are to listen to on a wide range of music...
40 yr old drivers just should not be sounding this good...but they do!
Cake was served by Graham, some drank tea, some drank beer
The source (Coco's old SP10, my 12" modded Pioneer L-71 Acos arm, SPU Silver Meister cart:

Then we swapped my HPDs for Mozza's Golds. Straight swap as both are the 8 hole basket type. At first something was not right with the bass on the L.H driver - all mixed up. This we diagnosed as bass leaking through the seal at the magnet cover. Re-positioned felt / more felt fixed that but then we had a buzzing / scratching- that turned out to be a washer that I'd accidentally left in the space between driver and surround
All sorted we started listening. Same sort of tracks + Money (Graham's request), nice and loud - boy that sounded good - 70s pressing - none of your 180g etc.
The Golds did something a bit different - bear in mind this is in the same cabs, same crossovers (mine are the early HPD / late Golds type - not sure if the all the electronics are the same as was sold with the Golds though...), so it is just the drivers difference we were hearing.
I was expecting the Golds to have a bit rolled off bass - but none of that. If anything they were bassier, more immediate and vivid. Perhaps as the beer took over we upped the vol a bit too - Coco was vol man for a while and it did get louder
I looked for the logical difference and put it down to the lighter more responsive cone - no spiders as the HPDs have, different surrounds (Mozza's had been back to Lockwoods and re-doped / were still sticky.
More great music and the Golds played really well. A bit more alive and visceral somehow.
Perhaps these slightly more efficient lighter cones suited my Class A KT88, PP, fully differential triode amp more?!
Then I put the Bar-B on and we sat outside, ate our fill and drank beer.
After some more listening it was time to take the Golds out - sort of
cos I would have liked to evaluate them longer.
Time to go arrived and the guests left. Coco and I put the HPD's back in and played Tori Amos, Leather and following tracks for a while.
The B to A comparison was the HPD's are more polite and perhaps the word 'Hifi'. A strange word to use but searching for descriptives I use it not to mean good or bad. A bit less visceral and attention grabbing - still detailed fully and doing great things. A bit calmer and composed on something like Tori Amos - Edgy and difficult is how I would describe her - bet she's hard to live with
So, a great afternoon, time well spent. Good company - some new vinyl to source and the feeling Golds and I will definitely have a future.
I need to own a pair to really assess them and decide TBH.
Some pics:
Golds mounted in my new curved top and bottom cab

Golds in the first cabs I made (intended to take the 3828's)

A pair of HPD's

A contented Mozza

Coco and Graham

Jim (directing traffic?
)

3828's re-foamed by yours truely

Some of my arm projects - 12" is the way to go

My new curved top and bottom cab with full length grilles - Still building the other one - will be ready this week I reckon.


Well, Mozza generously offered to lend me the Golds to try them. Time came in the way and he went on to build his own GRF cabs out of birch ply http://www.pinkfishmedia.net/forum/showthread.php?t=82513&highlight=tannoy
Nice job!
Curious about Golds and HPDs we agreed to have a get together to test them out at my place using my trustly Rect replica GRF's made out of 21 and 24mm birch ply.
Mozza, I_should_coco (one time Golds owner now off in bassless horn land

Graham brought cake!
Firstly we listened to some great tracks on the HPDs: jazz classics like Louis Amrstrong's and Duke Ellington's Together, Piano Stan Kenton I think it was, Al Haig / Jamil Nagger combo, Yello, Tori Amos and more...
We even put Shine on you crazy diamond requested by Graham

Comments like good bass, handles the full range of piano well, scale and presence and how easy they are to listen to on a wide range of music...
40 yr old drivers just should not be sounding this good...but they do!
Cake was served by Graham, some drank tea, some drank beer

The source (Coco's old SP10, my 12" modded Pioneer L-71 Acos arm, SPU Silver Meister cart:

Then we swapped my HPDs for Mozza's Golds. Straight swap as both are the 8 hole basket type. At first something was not right with the bass on the L.H driver - all mixed up. This we diagnosed as bass leaking through the seal at the magnet cover. Re-positioned felt / more felt fixed that but then we had a buzzing / scratching- that turned out to be a washer that I'd accidentally left in the space between driver and surround

All sorted we started listening. Same sort of tracks + Money (Graham's request), nice and loud - boy that sounded good - 70s pressing - none of your 180g etc.
The Golds did something a bit different - bear in mind this is in the same cabs, same crossovers (mine are the early HPD / late Golds type - not sure if the all the electronics are the same as was sold with the Golds though...), so it is just the drivers difference we were hearing.
I was expecting the Golds to have a bit rolled off bass - but none of that. If anything they were bassier, more immediate and vivid. Perhaps as the beer took over we upped the vol a bit too - Coco was vol man for a while and it did get louder

I looked for the logical difference and put it down to the lighter more responsive cone - no spiders as the HPDs have, different surrounds (Mozza's had been back to Lockwoods and re-doped / were still sticky.
More great music and the Golds played really well. A bit more alive and visceral somehow.
Perhaps these slightly more efficient lighter cones suited my Class A KT88, PP, fully differential triode amp more?!
Then I put the Bar-B on and we sat outside, ate our fill and drank beer.
After some more listening it was time to take the Golds out - sort of

Time to go arrived and the guests left. Coco and I put the HPD's back in and played Tori Amos, Leather and following tracks for a while.
The B to A comparison was the HPD's are more polite and perhaps the word 'Hifi'. A strange word to use but searching for descriptives I use it not to mean good or bad. A bit less visceral and attention grabbing - still detailed fully and doing great things. A bit calmer and composed on something like Tori Amos - Edgy and difficult is how I would describe her - bet she's hard to live with

So, a great afternoon, time well spent. Good company - some new vinyl to source and the feeling Golds and I will definitely have a future.
I need to own a pair to really assess them and decide TBH.
Some pics:
Golds mounted in my new curved top and bottom cab

Golds in the first cabs I made (intended to take the 3828's)

A pair of HPD's

A contented Mozza

Coco and Graham

Jim (directing traffic?


3828's re-foamed by yours truely


Some of my arm projects - 12" is the way to go

My new curved top and bottom cab with full length grilles - Still building the other one - will be ready this week I reckon.
