What brand of caps?

Not strictly DIY this as it's not me that would do it, but it wouldn't be done 'professionally'.......

I'm looking into having the original capacitors in the crossovers in my Tannoy monitor golds updated, as this seems to be an accepted way of improving their performance (if not their value). Now I don't know a thing about all this kind of stuff but someone via the Tannoy forum on yahoo has agreed to do the work for a nominal fee of £30 so in theory I don't need to know .

But, in the general forum discussion on this subject has indicated that some brands are better than others (no suprise there I guess) but what I want to know is whether it's worth spending out the extra to get significantly improved results.
I'm not going to go mad and buy super expensive exotica, mainly because I can't afford it mad: ), but would be interested to hear any strong opinions. Anyway the number one choice at the moment (on bang for bucks) is the Wilmslow audio supercaps that I understand are rebadged solens?

Any thoughts?

 

That's exactly the kind of reply that I was hoping to get, as I got a few 'I used brand x and they were great' comments on the other forum but not much in the way of general guidance or rules of thumb. Thanks Tenson!

Now all I need to do is translate the circuit diagram to work out what values I need....!

(ahem, it's here if you fancy err, browsing it..... )
http://www.hilberink.nl/codehans/tannoy37.htm

 

One of my favourite sites LT.

 

Dev Try Black Gates,

 

I'd second Tenson on this, except maybe the paper-in-oil bit, but fortuitously the Wilmslow stuff is good - and at sensible prices, too! They should be able to provide film parts for all the values in the schematic linked. No-brainer, I think...

 

You guys are GREAT! Thanks for listing the cap values Tenson, reduces the chance of me buying the wrong ones quite significantly. I'll check out RS as well and compare with the Wilmslow options/prices and go from there.

Thanks again, it's nice to have good clear informed advice I'll let you know what difference it makes when it's all done.

EDIT: Actually I have to admit that having compared the list of values with the schematic I now feel a bit silly for not having been able to work out what shape represented what - it wouldn't have taken too much investigation. I just look at diagrams like that and go blank! I blame it all on my physics teacher at school, the experience must have traumatised me, ha ha.

 

With respect, No Nando no - big myth, never understood why people use them!! Had a blackgate amp and same amp non blackgate - £1000 difference (these were audio synthesis desire decades) and guess what non blackgate sounded much better and not alone with this experience.

 

respect to your views, but i had other experiance on how to use them, on various circuits and devices, i know that they are expeensive but they do need a very good conducter desined circuit,and also heat tolerance, but i just wanted to put my oppinion on the basis of practice, regards nando.

 

Simon - re Blackgates I have heard that they take an eternity - but as you know i am not very technical so take with a spoon of salt

 

I would not regard black gates as being at all suitable for speaker crossovers in any case.

Please remember this about black gates: They're great for electrolytics. That does not change the fact that electrolytic capacitors are very poor compared to most other types in most respects, bar one - density. You can fit far more capacitance in far less space with electrolytics, and where performance isn't critical (eg power supply reservoirs) they're perfectly good - their large values overcome their poor performance. However, as simon rightly says, polyester and polypropylene are far better choices where you can use them.

 

A few comments.

Having spoken to many people about Black Gates, they are commonly used in power supplies, but I wouldn't personally (based on the experiences of more knowledgeable people) use them in the signal path.

I was advised against using paper-in-oil by a speaker manufacturer. Not in regard of sound, but rather that they have a higher failure rate, and therefore you may suffer from blown drive units if you're very unlucky. With vintage drive units, I wouldn't personally go there (and didn't).

In terms of choosing a cap's measurements - I'd reccomend doing what I did - getting the existing caps measured, and going for exactly the same thing. I can't see how you can go wrong with a like-for-like replacement, providing you have the originals in there.. unless you get the original schematic of the crossover, and then you can use that.

Finally, I chose 'm-caps', and was very pleasantly suprised by them. I tried a couple of variants and was pleasantly suprised.

If your budget is really really tight, try Solens. Proac use them (amongst others), and they sound pretty good to me.

NB - this is where I shop. Nick at hificollective is a good bloke.
http://www.hificollective.co.uk/components/capacitors.html

 

Having tinkered inside my rotel cdp, the power supply lines are littered with blackgates, but get anywhere near the signal path and good old panasonic fc caps are being used... Now removed and replaced with polyprops, but I suppose it says something about using blackgates in the signal path.

 

Yes I've seen your posts on the Tannoy forum Toilette, and as I've just finished new cab's for my 15s, I think I might do a recap. And I'll try those one's Simon's suggested I reckon. Have you decided to leave the roll-off switches in place?

 

No I think I'll take them out, I did think about keeping them but tbh I've always had them in the level positions (roll off level and energy -1) with all the old pairs of Tannoys I've had, so it seems pointless keeping them in really - apart from having a cutout in the rear of my cabinets for them to sit, which I'll have to plug!

 

hi tenson, 2 to 3 days to reach almost max. regards nando.

 

Let's have a peek then!

 

gentlemen, i rest my case, regards nando.