Hi DavidF ,sorry i could not reply to your posting as my internet crashed earlier today. Glad you like my posting . The positioning of cones is something i discovered for myself about 15 years ago. At that time i had (and still do a Marantz cd94 mk2) which i did a structural mod to it . I replaced the thin metal base plate with a 10 mm thick brushed and laquered aluminum plate ,with all the holes drilled to match the original . I also filled its feet with miliput a modelers clay which goes hard (imagine Arildite as a type of clay which you mix together). It didn't make sense to me why you should build a wonderful heavy die cast box into which all the bits went only to fit a thin light bottom. This improved things but the addition of three German cones placed as i said earlier also lifted the performance . I spent hours moving them back and forward until i thought it was as good as it could be ,and then glued them in place .
Yes, right.
I am using two machines at the moment....a modded arcam a5 ( coutessy of zansah) and a marantze 63 ki.
Both have responded to a granite slab being fastened to the bottom ( i removed the feet altogther) using blu tak........that modeller s clay sounds interesting thouigh.....do you think its better than blu tak?
I have experimented a bit with masses.......mild steel plate.....granite.....and slate.
Yes, all these materials will ahve their own natural resonant frequency......I use rubber to (minimoise) damp this.
In someways I wa sceptical of using absorbant material feeling that I shouln't be interupting the flow of energy away from the player.....ie I shouild be focussing on DISSIPATING the energy ....the point of the cones +bearings of course.
I have to say I have not come to satisfatory answer on this......suffice to say that the propriorary isolation plinths on the market all seem to use a degree of absorbant material in them.
As you say , mass....and certainly stabilty are (IME) key factors here.
"I replaced the thin metal base plate with a 10 mm thick brushed and laquered aluminum plate "
.....I would think you noticed a BIG difference.....?
exactly what i would have done.
At the same time a friend who had a Stan Curtis Cambridge Audio CD 3 did the same and i remember him ringing ever so often and not believing what this did for the sound .
I can well beleive it....
He ended up using Michell tender feet .
I am sure that Oak cones and RDC cones will work like this too,if you have the time and patience to play around with the positioning . If i had access to a workshop again it would be great ,as there is a lot that could be done . Your Cones with ball bearing inserts look interesting ,but as you say accuracy would be vital as everything must be level .
Yes very much so.
Not easy atall.
When i was at art college back in the late eighties and early nineties i was regularly to found making stuff in the work shops to do with audio . Isolation platforms made up of laminations of different materials and types of cones .
what material did you use?
results?
I had this plan at the time to make a new case for my Audio Innovations 300 amp but as i was doing silver smithing and jewelery and not product design,i never got round to doing this . Oh for a nice big workshop,bench drills ,lathes etc;again!
I have a workshop ....but little time to get in it frusratingly....
Regards D Louth[/QUOTE]
thanks DL......I am alwys intersted in ideas of disspitaion ...and damping......absorbtion.....